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Music, CDJapan, and First Episode Impressions

Sora no Woto music

I've been making this claim elsewhere, and it might just be me, but parts of the Sora no Woto soundtrack really reminded me of George Gershwin's An American in Paris. I'm no music expert, but compare the following:

Sora no Woto OST - Track 2 - Ciel bleu
{YOUTUBE:Nr_JoLgbnqw}
and
Sora no Woto OST - Track 3 - Flànerie
{YOUTUBE:ZF3MZfSe5bY}

with Gershwin: American in Paris (I) (Rattle, Berlin Phil)
{YOUTUBE:DZZbfrUAW8Y}

Maybe I'm crazy though. Then again, previewing the Sora no Woto soundtrack convinced me to import the OST from cdjapan1. But I wonder, are these tracks really original to the series? And which orchestra performed them?


First Episode Impressions

I had watched the first episodes of a few series. Here's some quick impressions of them:

Angel Beats!

I'm not fully sure what to make of Angel Beats!. So far I get that this is some afterlife where it seems people cannot die, though people can still feel pain and will be out for a spell if they do sustain a normally fatal injury. In fact, the whole setup feels like a video game, complete with terminology (NPCs?) and what is basically respawning. The episode starts with the main protagonist waking up with no memory of who or where he was to an energetic girl aiming a scoped rifle at another girl. His amnesia is quickly explained by others as from him dying from head trauma before coming to this afterlife (in-between life? It is suggested in the episode that this world is a holding-spot before people (souls?) are reincarnated into their next life).

I'll keep track of this one, but I have no opinion of it one way or another.

B Gata H Kei


B Gata H Kei
seemed like it would be one of the dregs of the season, and so far, it really isn't showing to be much more than a romantic sex-comedy. But it has the distinction this season of making me laugh the most so far!

The lead girl is a socially-inept virgin who sets the goal of having "100 fuck buddies" in high school, but it's apparent that she knows nothing about sex or even her own bodies. She sets her sights on what looks to be the lead male character, who looks to be a fairly plain and unassuming guy2. What really brought out the laughs was just how different things were going on between what she's thinking and how others see her (I.E., the stats card scene!) or between what how she visualizes how she will say something and what she actually says. That said, I can see this series falling apart quickly, especially if the comedy gets stale or falls away. I'll probably watch episode 2 and see where it'll go from there.

Kaichou wa Maid-sama!

So far, the title "best potential series"3 goes to Kaichou wa Maid-sama. What could have been a bland ecchi comedy turned actually is turning into a rather sweet romantic series with some solid and endearing characters.

The premise is the lead girl is the student council president of a school which used to be a boy's school up to a few years ago. She basically holds the students to a strict discipline code. Yet unknown to the student body, her family is having financial issues and she works at a maid cafe to help make ends meet. One of the male students discover this, to her horror, yet he keeps it a secret at school with her asking him to. It seems he's going to use this knowledge in some way, but so far, he comes off not looking like a borderline abusive bastard. And there's already some good interactions between the two and a budding romance on the way.

So far, I'm pretty impressed and looking towards more.

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Comments

The similarities between Ooshima's work and Gershwin's is a pretty good observation and I guess part of this explains why I like Ooshima's works so much. For what it's worth, it wouldn't surprise me if she borrows a bit here and there, but based on a listen of Ooshima's previous works, the two Sora no Woto tracks you presented do have the Ooshima feel as it were, especially Flanerie.

Guess this means I have a lot to look forward to when I give Sora no Woto's OST a shot.

I was just listening to Flanerie on my sound setup again and I actually hear hints of Gershwin's Rhapsody in Blue in it too. I'm sure that Ooshima takes styles from other sources into her own work, as all composers basically do. And I happen to enjoy learning where creators get their inspirations from, which makes me prone to trying to connect newer works to older works through stylistic similarities, whether it's music, writing, directing, or animation.

That said, I probably should start learning anime composers' names and the series they do... I tend to focus more on writers and directors myself ;)

Strangely, Gershwin was never one of my favorite orchestral composers in the past, but I'm gaining new appreciation for his work through Sora no Woto. And the two I put up as samples weren't the only two that screamed "Gershwin" to me as I was listening to the album.

To be honest, I really need to step beyond Gershwin's Rhapsody in Blue and Concerto in F and broaden my overall level of exposure to his other works. As for where she gets her inspiration from, I am curious as to whether the liner notes make any mention of that. Sometimes, the composer will talk about the creative process in coming up with the show's overall musical mood and that would be a good place to look. Well, if you know how to read Japanese anyhow (and I certainly am not literate in Japanese).

And as for learning anime composers' names, be warned that it could become an obsession at times :p

interestingly written….